Stream ad-free or purchase CD's and MP3s now on Amazon.com. So while I had low expectations for enjoying the LinearFlux Hypersonic, I was absolutely blown away once I used them. Swallow built in a drum feature for “In F” and when he first recorded the song in 2011, original John Scofield Trio drummer Nussbaum was the guy featured. Swallow's playing is as lithe as ever, while his compositions, channelled through such caring, intuitive hands, sound evergreen. The moment, which starts as a little tag, becomes a free collective improvisation spun off from the tag into open joy.The other relatively long track here is "Awful Coffee", a mid-tempo swinging lope on a fairly abstract theme. A review by RTE.ie stated, "In sum, a collection of sensitive, knowing interpretations of the Swallow classics which you should let play continuously until the inevitable result - you will need its sound in your life for a while, weaving in and out of your rooms." Scofield exploits the guitar’s ability to bend notes and in the process makes the tune really swing, with no small help from Stewart. Also available on vinyl.RTÉ.ie is the website of Raidió Teilifís Éireann, Ireland's National Public Service Broadcaster. John Scofield’s latest album Swallow Tales, his first as a sole leader for ECM, features nine compositions by his longtime mentor and friend Steve Swallow—who also plays bass on the album.The two have a connection that goes back decades, forged through countless live performances. It is the track on which the versatility of this trio is most apparent: Scofield and Swallow are both lyrical guitarists who play with a truly "grace"-ful fluidity here, flowing around each like water. He even played with Miles Davis.All three of those other guitarists started their careers with long tenures recording for ECM Records, the esteemed label that has a famously wonderful sound. Yes, these nine performances use conventional swing rhythms throughout and never move into "jam", with Scofield and Swallow improvising over chord changes. Swallow is again given the chance to sketch out a complement to his own melody on his brief but centerpiece bass spotlight.Swallow built in a drum feature for “In F” and when he first recorded the song in 2011, original John Scofield Trio drummer Nussbaum was the guy featured. John Scofield became aware of bassist Steve Swallow in the 1960s when he was a teenager.
The feeling that the band is perfectly tight and perfectly loose at the same time is unmistakable as they loop and swirl. That was never going to happen with these elite musicians.In its original incarnation, “She Was Young” was set to lyrics — poetry, actually — by Robert Creeley, but this time, the waltz slows down. Album review: John Scofield Swallow Tales Updated / Sunday, 14 Jun 2020 17:04 John Scofield: sensitive, knowing interpretations of bassist Steve Swallow's compositions He played straight-ahead jazz, jazz-rock fusion, funk and jam music, impressionistic/atmospheric improvised music, and blues tracks with singers. I’ve never been able to embrace them because earbuds, in general, truly bother my ears. But then Scofield and Swallow take their shoes off and lightly jam on the last chord for several minutes, hardly disrupting the easygoing vibe of the song set from the start.“Falling Grace” is a song long associated with Swallow’s old bandleader Burton who first recorded it with Swallow back in 1966 and later it became a staple of Burton’s and Chick Corea’s performances together. On Swallow Tales, guitar giant John Scofield returns to the trio format, interpreting nine beautiful ‘songs’ from longtime bassist friend Steve Swallow, who pairs up here with drummer Bill Stewart to ensure a consistently swinging rhythmic foundation.Knowing one another very well, the old dynamics still pack a punch in what is Scofield’s first record as a leader on the ECM label. The simple "In F" gives Scofield and Swallow some simple hits to punch around the drums before the improvisations kick in over swing time. Over time, Metheny became a bit of a star, Abercrombie moved more fully into a role as an atmospheric player in the jazz scene, and Frisell came to define a new genre where chamber jazz became Americana. Contact Something Else! Stewart's short drum solo is vintage.There had better be a pretty ballad on a collection of Swallow tunes, and so "Away" whispers with casual grace. Here is jazz from the last 18 months that shouldn't be missed.Still going strong at 86, blues legend Bobby Rush presents "Dust My Broom" from an upcoming salute to Mississippi blues history, Dreamy bits of sunshine find their way through the clouds of dreams dashed and lives on the brink of despair on "Blue Coast" from soulful rockers the Brevet. The clotted distortion of Scofield's guitar is used particularly well here. Unlike his previous two albums, Swallow Tales appears to have let go of such weary improvisations, sticking to more jazzy, energetic modes of augmented playing. Swallow's solo is his most compelling of the set, giving way to a more exuberant ending by the guitarist. Guitarist John Scofield celebrates the music of his mentor and longtime collaborator, bassist Steve Swallow, with his intimate, ebulliently performed 2020 ECM album Swallow Tales.Having initially met in the early '70s while Scofield was still a student at Berklee College of Music, Swallow and Scofield built a distinctive creative partnership. The simmering energy of this band, the way the group finds deep places for soulful conversation, is what has kept audiences of all kinds returning to Scofield for decades.The best example may well be on the recording's first and longest track, "She Was Young". The guitarist goes right from stating the theme to single-line notes with a few octaves tossed in a tasty brew of a solo. Yes, "Falling Grace" is that lush and compelling theme you remember, but now is an edge too. The tunes are not Tin Pan Alley oldies but refreshing compositions from one of the great pens of the last 40 years. The band adds a long tag here as well, to equally fun effect.
Many of the pieces were recorded by vibraphonist Gary Burton years ago when Swallow was in Burton's band.Several have been recorded by musicians whom Scofield calls 'jazz dignitaries,' names like Stan Getz, Bill Evans, Stéphane Grappelli, Jim Hall and Pat Metheny.The ensemble in question first recorded in 2003 and have played together regularly ever since.
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