Zaccaria's speech is interrupted by a soldier who announces that Nabucco has been killed. Fenena serenely prepares for death. Left alone, Fenena and Ismaele recall how they fell in love when Ismaele was held prisoner by the Babylonians, and how Fenena helped him to escape to Israel. He renounces Baal and states that the Hebrew God is the only god. Before she can do anything with it, her father, now bumbling along as a shell of a man-made insane by the lightning strike, demands the throne. Aaron M. Green is an expert on classical music and music history, with more than 10 years of both solo and ensemble performance experience. The Israelites are praying for help against Nabucco (Nebuchadnezzar), king of Babylon, who has attacked them and is vandalizing the city. The music for Abigaille is extremely demanding, requiring a soprano who can sing both very low and very high with dramatic force and is also capable of virtuoso vocal decoration. He orders this, while Zaccaria and the Israelites curse Ismaele as a traitor.
As she's about to dismiss him, she thinks of something horrendous. As his daughter prepares for death and prays for admittance into Heaven, Nabucco stops the killings. The Israeli High Priest, Zaccaria, enters the room with a Babylonian hostage - the young daughter of Nabucco, named Fenena. She believes this is the reason why her father did not let her participate in the war. Music historians have long perpetuated a powerful myth about the famous "The overture, often played outside the context of the complete work in orchestral concerts, mostly consists of themes from the opera, including the Chorus of Hebrew Slaves and the warlike music when the Israelites curse Ismaele for his betrayal. Abigaille enters, supported by soldiers. Abigaille mocks him, produces the document and tears it up. After the failure of his second opera Un giorno di regno (completed in 1840 towards the end of a brutal two-year period during which both of his infant children and then his 26-year-old wife died), Verdi vowed never to compose again. Nabucco rushes in with Abdallo and other soldiers. He plans for Abigaille to become ruler of Babylon, and with this intention has spread the rumour that Nabucco has died in battle. But Merelli would accept no refusal and he immediately stuffed the papers back into Verdi's pocket and "not only threw me out of his office, but slammed the door in my face and locked himself in".The opening performances, limited to only eight because the season was coming to an end, were "a colossal success. Both the bass Zaccaria in his prayer "Vieni o Levita", a quiet piece with the unusual accompaniment of six cellos, and the baritone Nabucco in his mad scene and other passages, are given music of great expressiveness, providing outstanding opportunities for the singers, but the tenor role of Ismaele is comparatively minor, unusual for a Verdi opera.
He tells Abigaille that he is not in fact her father and searches for the document evidencing her true origins as a slave. Again, she laughs at the thought and pulls out the documents. Though his consent to the death warrant is no longer necessary, Abigaille tricks him into signing it. Abigaille determines to seize the throne ("Salgo già del trono aurato" / "I already ascend the golden throne"). Ismaele intervenes to save Fenena, which removes any impediment from Nabucco destroying the temple. The group of men is silenced with Zaccaria returns with his daughter, Anna, and Fenena. In Giuseppe Verdi: Early career …first performed 1842; known as Nabucco), based on the biblical Nebuchadnezzar (Nebuchadrezzar II), though the well-known story he told later about snapping out of his lethargy only when the libretto fell open at the chorus “Va, pensiero”—by that time one of his most beloved works—is no longer credited. She, too, loves Ismaele. "), then goes to summon Fenena. Zaccaria leaves the room and instructs Ismaele, nephew of the King of Jerusalem, to watch over Fenena. Zaccaria, their high priest, appears with Nabucco’s daughter, Fenena, whom the Hebrews hold hostage. Anachronisms in the opera include the use and tearing of paper documents. Fenena and the Israelite prisoners are led in to be sacrificed ("Va!
Zaccaria entrusts Fenena to Ismaele, nephew of the King of Jerusalem and a former envoy to Babylon. This is Verdi’s first great role for baritone! As they offer payers, Zaccaria, the High Priest, enters with his sister Anna and Nabucco’s daughter, Fenena, whom … She tricks him into signing the death warrant. He breaks free from his room with the help of a few loyal soldiers and determines to set the Israelites free and rescue his daughter.
Željko Lučić(Lyric's riveting Rigoletto in 2013) is Nabucco, a role compared to Shakespeare's King Lear in its majestic sweep.
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